We take our name from the loudest animal on earth.
Sound pressure scale
Sound pressure level in decibels.
We can add one more row: the noise where you are right now.
The microphone is used only while you keep it on. Nothing is recorded: the sound never leaves your browser.
This is not a measurement. An uncalibrated microphone does not give you decibels: it gives you an idea of decibels.
The difference between the two is what we do for a living.
01The problem
Everything else can be fixed late. The colour, the furniture, the lighting, the signage.
Noise cannot.
Noise is solved on the drawings, or it is solved by opening up what has already been built. And by then the conversation is no longer about an acoustics budget. It is about a site at a standstill, a licence that never arrives, and an opening date that drags every other date with it.
It is a risk that is rarely on the table at the moment the budget is decided.
The number first. The panel afterwards.
02The method
We measure before we propose. We model the whole thing — the building, the machinery and the surroundings, not just the element in between — and we hand over the predicted result before a single panel is bought.
If the number does not work, you find out while it is still cheap to change it.
Getting to that number takes an acoustic scanner, an intensity probe, in-situ measurement and propagation models. And 13 years of projects behind us.
When the tool we needed did not exist, we wrote it.
When it makes sense to call us.
03If it fits
We work where acoustics is a condition of the project and not a formality at the end: chains rolling out the same model across many sites, large operators, venues where music is the business. Places where the margin for error is narrow.
Doing it right has a price you know from the start. Doing it twice does not.
Even so, there are projects we are not the right team for. If yours is one of them, we will tell you.
Tell us what you are working on and we will tell you how we would approach it.
Fields
Plants, machinery, silencers, impact noise and vibration.
Sound insulation between spaces, Spanish building code (CTE DB-HR) compliance and in-situ testing.
Noise maps, propagation, local ordinances and acoustic impact studies.
Festivals, concert halls, auditoriums and music venues.
What is at stake
Three decibels is twice the sound energy. Everything is decided in margins like that.
Means
Plus sound level meters, tapping machines and standard noise sources. The tools we were missing, we wrote ourselves.
Where we are
Albufera Center
Pl. Alquería de la Culla, 4 — oficina 803
46910 Alfafar, Valencia
C/ Rodríguez de San Pedro, 2
Chamberí